Abigail C. Onwunali
I am a Nigerian-American storyteller working across performance, playwriting, poetry, directing, and teaching.
My work is rooted in the belief that stories are living things. They carry memory. They carry history. They carry the people who came before us and the people we have yet to become. I am interested in what happens when we allow those stories to speak through the body, through language, through ritual, and through the imagination.
I make work about people who are trying to become whole in a world that has taught them to divide themselves. My Nigerian and American identities are not separate parts of me; they are in constant conversation. That tension, alongside my fascination with the seen and unseen, the sacred and ordinary, grief and joy, is at the heart of my practice.
Whether I am performing, writing, directing, or teaching, I am interested in creating spaces where people can bring their full selves into the room. I believe theatre can be a place of communion, a place to remember, a place to question, and a place to imagine something that does not yet exist.
I make work that honors where I come from while making room for where we might go.
Biography
Abigail Chinazam Onwunali (she/her) is a multifaceted Nigerian-American artist working across stage and page. Acting credits include August Wilson's Joe Turner's Come and Gone (Broadway) and Jocelyn Bioh's Jaja's African Hair Braiding (MTC). She is currently appearing in Mfoniso Udofia's Creation Stories at Lincoln Center. Off-Broadway: King Lear (La MaMa) and Bloodwork (NBT). Regional: The Grove and Sojourners (Huntington). She is a two-time Elliot Norton Award nominee and winner for her performance as Adiaha in The Grove by Mfoniso Udofia, in a year when she was also nominated against herself. A recipient of the Princess Grace Award, Abigail is currently developing new work through the New York Theatre Workshop 2050 Fellowship, Page 73 Productions Writers Group, and La MaMa Morgan Jenness Experiments in Playwriting Fellowship. She holds an MFA from Yale School of Drama and is a graduate of the Lena Waithe Hillman Grad Mentorship Program. Abigail proudly calls Houston and Nigeria home and creates theater that centers her people, revives ancestral memory, and honors the emotional and spiritual depth of Black women.
Representation
- Acting
- Liana Diamond, Gersh
- Writing
- Skyler Gray, Gersh
- Management
- Jessica Morgulis, Entertainment 360
Take therefore no thought for the morrow: for the morrow shall take thought for the things of itself. Sufficient unto the day is the evil thereof.
Matthew 6:34